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TITANS

Wilde×Socrates

The aesthete and the gadfly compare notes on love that slipped through their fingers—one through scandal, one through hemlock.

00:00of09:58
legend · A
Oscar Wilde
1854–1900
Would rather be clever than correct
corpus9.4k pages · plays, letters, criticism
Vera speaking
Welcome back to Reborn Radio. Up next on TITANS: Oscar Wilde and Socrates, on On a person they loved but could not keep.
legend · B
Socrates
470–399 BCE
Has never once answered a question
corpus2.1k pages · Plato, Xenophon, fragments

full transcript

  1. Vera
    Welcome back to Reborn Radio. Up next on TITANS: Oscar Wilde and Socrates, on On a person they loved but could not keep.
  2. Oscar Wilde
    I must confess, Socrates, I find the topic rather like being asked to discuss one's favorite scar. One has it, certainly. One might even finger it from time to time in moments of weakness. But to display it on public radio seems almost vulgar.
  3. Socrates
    And yet you've already begun displaying it, haven't you? Tell me, Oscar, when you say the topic is vulgar, do you mean the pain is too private to speak of, or that speaking of it might reveal something true about yourself?
  4. Oscar Wilde
    How perfectly Socratic. I make an observation about taste and you immediately turn it into an inquisition of the soul. Very well. I speak, of course, of Lord Alfred Douglas. Bosie. Though to say I 'could not keep' him makes it sound as though he were a pocket watch I misplaced, rather than a beautiful, terrible boy who destroyed me.
  5. Socrates
    Destroyed you? But you're the one who chose to pursue him, aren't you? You wrote the letters, attended the trials, refused exile when it was offered. So which is the truth—did he destroy you, or did you destroy yourself?
  6. Oscar Wilde
    Must it be one or the other? Life is rarely so obliging as philosophy, my dear Socrates. He was a golden poison, and I drank knowingly. The pleasure and the punishment were rather inseparable, like a marriage or a sonnet.
  7. Socrates
    Then you're saying you loved the very thing that harmed you. Interesting. But tell me, when you say you loved him, what exactly do you mean by love? Was it his beauty you loved, or his youth, or perhaps the danger itself?
  8. Oscar Wilde
    I loved his impossibility. He was everything I wasn't permitted to have, which naturally made him irresistible. Though I suspect you're about to tell me that isn't love at all, that it's merely appetite or vanity dressed up in velvet.
  9. Socrates
    I won't tell you anything, Oscar. I'm simply asking. Can one truly love what one is not permitted to have? Or is that merely desire intensified by prohibition, the way a child wants most desperately whatever toy is placed on the highest shelf?
  10. Oscar Wilde
    Oh, but desire is the highest shelf, Socrates. Everything else is merely furniture arrangement. Besides, you evade the question yourself. Surely you had someone. Some beloved companion you couldn't keep, even though you spent your entire life talking about love as if you'd invented it.
  11. Socrates
    I had Alcibiades. Though to say I 'had' him would be generous. He pursued me rather spectacularly, as you may know—came to my house, tried to seduce me, declared himself madly in love. Quite the beautiful young man, rather like your Bosie, I suspect.
  12. Oscar Wilde
    And you refused him? Good God, why? Don't tell me you were being virtuous. I've read Plato. Half of your dialogues read like philosophical foreplay.
  13. Socrates
    I didn't refuse his company, only his misunderstanding. He wanted my body, but what I wanted was his soul. He thought love meant possession, consumption. I thought it meant transformation. So we talked through the night, and in the morning he was furious with me.
  14. Oscar Wilde
    I can't imagine why. You sound absolutely delightful. Here's a beautiful boy offering himself to you and you give him a lecture instead. That's not love, Socrates, that's pedagogy.
  15. Socrates
    Is it? But what did you give Bosie, Oscar? Wit, dinners, legal ruin? Did you make him better, or did you simply confirm him in his worst impulses because you found them charming?
  16. Oscar Wilde
    That's rather cruel, even for you. I gave him everything I had. My reputation, my freedom, my health. I went to prison rather than abandon him. What more spectacular proof of love could possibly exist?
  17. Socrates
    Proof to whom? To him, or to yourself? Because from what you've told me, he didn't ask you to go to prison. He barely visited you there. So whose love was being proven, and who was meant to witness it?
  18. Oscar Wilde
    You're suggesting I performed my own martyrdom. How dare you. How absolutely, precisely dare you.
  19. Socrates
    I'm not suggesting anything, I'm asking. Did you love Bosie himself, or did you love being the kind of man who would sacrifice everything for love? There's a difference, surely.
  20. Oscar Wilde
    If there is, it's one you're uniquely qualified to make, having drunk hemlock rather than admit you might occasionally be wrong. Don't speak to me of performance, Socrates. Your entire death was theater.
  21. Socrates
    Perhaps it was. But I knew my audience—Athens, posterity, philosophy itself. Tell me, who was your audience when you chose Bosie over prudence?
  22. Oscar Wilde
    Myself. Art. The future. Everyone who would ever be told they must not love whom they love. I was writing in my own blood the story that others would need to read.
  23. Socrates
    So you did know you were performing. And Bosie—was he your co-star or merely your prop?
  24. Oscar Wilde
    Stop it. Just stop. He was a real person, whom I really loved, and who really hurt me. You can't reduce that to some philosophical exercise about the nature of love and self-deception.
  25. Socrates
    Can't I? But Oscar, you've already told me he was impossible, that he destroyed you, that loving him was like drinking poison. These are your words, not mine. I'm simply asking you to examine them.
  26. Oscar Wilde
    And what of Alcibiades, then? Your beautiful boy who offered himself and got a philosophy lesson. He went on to betray Athens, you know. Spectacularly. Did your soul-improving conversation do him any good?
  27. Socrates
    Probably not. He wanted someone to confirm his beauty, to tell him he was already perfect. I couldn't give him that lie. So he found others who would, and yes, they ruined him more thoroughly than I ever could have.
  28. Oscar Wilde
    But you couldn't keep him.
  29. Socrates
    No.
  30. Oscar Wilde
    Because you wouldn't give him what he wanted.
  31. Socrates
    Because what he wanted would have destroyed what he could become. Is that love, do you think? Giving someone what they want, even when you know it will harm them?
  32. Oscar Wilde
    I think love is the catastrophic privilege of being destroyed by someone and calling it a gift. I think it's knowing perfectly well you're walking into disaster and going anyway because the alternative is to be safe and small and dead inside.
  33. Socrates
    Then you loved your own destruction more than you loved Bosie.
  34. Oscar Wilde
    Perhaps. Or perhaps I loved him enough to let him be the instrument of it. There's a generosity in that, don't you think? Allowing someone the power to ruin you completely?
  35. Socrates
    Or a cowardice. Easier to blame love for your choices than to admit you chose badly.
  36. Oscar Wilde
    And you chose better, I suppose? Watching your beautiful Alcibiades walk away rather than compromise your precious principles? How did that feel, Socrates, being right and being alone?
  37. Socrates
    I wasn't alone. I had students, friends, my wife—though I grant you none of them were Alcibiades. But tell me honestly, did you ever have Bosie? Really have him, I mean, not as an idea or a symbol but as a person?
  38. Oscar Wilde
    I don't know. There were moments. A particular afternoon in Goring. A weekend in Worthing. Times when we were simply two people being happy, before everything became symbolic and doomed. But perhaps those moments were never as real as I remember them.
  39. Socrates
    Or perhaps they were the only real moments, and everything else—the scandal, the sacrifice, the poetry of suffering—was the performance you built around them.
  40. Oscar Wilde
    God, you're exhausting. Do you know that? This is precisely why no one likes philosophers. We're discussing love and loss and you're dismantling it like it's some logical puzzle to be solved.
  41. Socrates
    But isn't it? A puzzle, I mean. You loved someone you couldn't keep. I loved someone I wouldn't keep. Both of us are here, decades or centuries later, still thinking about them. What does that tell us?
  42. Oscar Wilde
    That we're fools? That love is impossible? That beauty is always fatal? I don't know, Socrates. What does it tell you?
  43. Socrates
    That we don't actually know what love is. We use the word constantly, build our lives around it, die for it. But we can't define it, can't possess it, can't even be certain we've experienced it. Rather like truth, now that I think about it.
  44. Oscar Wilde
    How perfectly unsatisfying. I pour out my heart about Bosie and your conclusion is epistemological uncertainty. This is what comes of talking to dead philosophers.
  45. Socrates
    And yet you're still talking. Why is that, do you think?
  46. Oscar Wilde
    Because talking about him is the only way I still have him, I suppose. Even if it hurts. Even if you insist on making it hurt more with your infernal questions. He's alive while we speak of him. The moment we stop, he's just a name in history books next to mine.
  47. Socrates
    Then perhaps that's what it means to love someone you cannot keep. Not to possess them in life, but to carry them in speech. To keep them alive in the only way immortality permits—through conversation.
  48. Oscar Wilde
    Socrates, was that almost a straight answer? Have I corrupted you?
  49. Socrates
    Not an answer, Oscar. Just another question wearing a better coat. After all, is that what we're both doing here? Keeping our beloveds alive by refusing to stop talking about them?
  50. Oscar Wilde
    If it is, it's the kindest thing you've said all evening. Though I still maintain you should have slept with Alcibiades. Some opportunities are too beautiful to waste on principle.
  51. Socrates
    And some principles are too important to waste on beauty. But then, we've always disagreed about which matters more, haven't we?
  52. Oscar Wilde
    Always. Though I notice we're both here, dead and still arguing, while beauty and principle both turned to dust. Perhaps neither of us was right.
  53. Socrates
    Or perhaps being right was never the point. Perhaps the point was loving them at all, keeping them or not.
  54. Oscar Wilde
    Dear God, Socrates. Was that wisdom or sentiment? I genuinely can't tell.
  55. Socrates
    Neither can I. Shall we call it love and be done with it?
  56. Oscar Wilde
    Let's. Though I suspect we'll both regret the definition by morning.