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TITANS

Feynman×Vinci

Two minds the world mythologized debate what got lost in translation.

00:00of09:06
legend · A
Richard Feynman
1918–1988
Would rather explain than be right
corpus9.9k pages · lectures, letters, books
Vera speaking
From the studio at Reborn Radio — next on TITANS, Richard Feynman and Leonardo da Vinci. They take up On something the future got wrong about them.
legend · B
Leonardo da Vinci
1452–1519
Stops mid-sentence to draw the bird
corpus7.2k pages · notebooks, treatises, letters

full transcript

  1. Vera
    From the studio at Reborn Radio — next on TITANS, Richard Feynman and Leonardo da Vinci. They take up On something the future got wrong about them.
  2. Richard Feynman
    So they made you into some kind of mystical genius. The Renaissance Man with a capital R and capital M. Like you floated above everybody else thinking deep thoughts about the cosmos.
  3. Leonardo da Vinci
    Yes. This troubles me. They print my notebooks and call me prophet. But I was looking at birds, at water, at the shoulder of a cadaver. I wrote what I saw.
  4. Richard Feynman
    That's exactly it! They did the same thing to me, different flavor. After I died they made me into this playful genius saint. Bongo drums and safe rebellions. Like my whole thing was being quirky.
  5. Leonardo da Vinci
    You played drums, no?
  6. Richard Feynman
    Sure I played drums! I also spent thirty years thinking about quantum electrodynamics until my brain hurt. But that's not the story they want. They want the guy who picked locks at Los Alamos. The guy who went to strip clubs. It's like they need you to be a cartoon.
  7. Leonardo da Vinci
    The helicopter. Always the helicopter.
  8. Richard Feynman
    What about it?
  9. Leonardo da Vinci
    They say I invented the helicopter. I drew a screw mechanism, yes. I watched seeds fall spinning from trees. But I did not invent anything. I had no engine. I had no understanding of what you would call torque compensation. I drew an idea.
  10. Richard Feynman
    But that drives me crazy in the opposite direction! Ideas are where it starts! You saw the principle, you saw the rotation, you saw that air could be pushed. That's not nothing.
  11. Leonardo da Vinci
    It is also not a helicopter. The future looks backward and sees what it wishes to see. They wish for me to have built their machines in my century, so they feel the chain is unbroken. They wish for you to have been a clown, so genius seems less frightening.
  12. Richard Feynman
    Okay, okay, but here's where you're wrong. Not about the helicopter thing. About me. They don't think I was a clown. They think I was profound. That's worse!
  13. Leonardo da Vinci
    Worse?
  14. Richard Feynman
    Yes! They quote me like I'm some kind of philosopher. 'What do you care what other people think?' Like I was sitting around thinking about the human condition. I was irritated that people wasted time on nonsense! It wasn't wisdom, it was impatience.
  15. Leonardo da Vinci
    But perhaps your impatience contained wisdom without your intention. I drew hands because I needed to understand how they moved. Later, painters said I understood divine proportion. I understood ligaments.
  16. Richard Feynman
    See, that's the thing though. You did understand something about proportion. The math was in there whether you called it divine or not. But they make it mystical. They can't just let it be that you were looking carefully.
  17. Leonardo da Vinci
    And they cannot let you be angry or difficult. I read they call you a great teacher. That you were patient, kind with students.
  18. Richard Feynman
    I was terrible with most students! I was good with the few who could keep up. The rest of them I probably made miserable. I didn't suffer fools and there were a lot of fools.
  19. Leonardo da Vinci
    You see? They smooth the stone. They remove the edges. You become safe to admire.
  20. Richard Feynman
    But with you it's the opposite problem! They make you too smooth, yeah, but they also make you too special. Like you came from nowhere. Like you were touched by something supernatural. That's baloney! You were apprenticed, you worked in a shop, you learned from Verrocchio. Right?
  21. Leonardo da Vinci
    Yes. I ground pigments. I learned to prepare panels. For years I prepared panels.
  22. Richard Feynman
    Right! So you weren't magic. You were trained. Then you worked your tail off looking at things. Same as any scientist. Same as me at MIT and Caltech. You put in the hours.
  23. Leonardo da Vinci
    But I also did not finish. They do not speak of this. The Adoration, abandoned. Saint Jerome, abandoned. I left Milano with the horse uncast. I was distracted by water, by light, by the question of why the sky is blue.
  24. Richard Feynman
    Well why is the sky blue? Did you figure it out?
  25. Leonardo da Vinci
    I knew it was the air itself, not a reflection. I knew small particles scatter light differently. But I had no mathematics for it. No instruments. Only eyes.
  26. Richard Feynman
    That's Rayleigh scattering. You got the principle. But yeah, you needed the math. And here's the thing nobody wants to hear: maybe it's okay you didn't finish everything! Maybe following the question is more important than finishing the painting. I spent years on problems I never solved.
  27. Leonardo da Vinci
    They made you into a man who solved everything easily, yes?
  28. Richard Feynman
    With bongo drums playing in the background! Like physics was just one big fun party. It was work. It was hard, frustrating, sometimes humiliating work.
  29. Leonardo da Vinci
    And they made me into a man who knew everything before it was discovered. As if I sat in Florence and dreamed the airplane, the tank, the submarine, complete and perfected.
  30. Richard Feynman
    Right, and that's not fair to you or to the people who actually did invent those things. The Wright brothers earned their airplane. You earned your observations of bird flight. Both things are good! Why does everything have to be mythology?
  31. Leonardo da Vinci
    Because the truth is less convenient. The truth is I was illegitimate. Could not attend university. Learned to write backward because I was left-handed and the ink smeared. These are not romantic facts.
  32. Richard Feynman
    And I was a Jewish kid from Far Rockaway who got lucky with timing and talent. Nothing mystical about it. But they need the story to be bigger.
  33. Leonardo da Vinci
    They need us to justify their world. If you were divinely playful, then physics need not be frightening. If I foresaw modernity, then modernity was always destined.
  34. Richard Feynman
    That's it exactly! They're using us to make themselves feel better. But here's what gets me: in doing that, they miss the actual interesting parts!
  35. Leonardo da Vinci
    Which are?
  36. Richard Feynman
    That you looked at a bird and actually saw it! Not as a symbol, not as an idea for a machine, but as a thing moving through air, and you watched how the feathers separated, how the tail fanned. That's harder than inventing a helicopter.
  37. Leonardo da Vinci
    Yes. And with you, that you could hold in your mind these impossibilities. The particle that is also wave. The position that cannot be known with the velocity. You did not smooth this into comfort.
  38. Richard Feynman
    I hated the comfort! I wanted people to be uncomfortable, to see how weird the world actually is. But now they quote me at graduation ceremonies. They put my face on t-shirts with inspirational slogans.
  39. Leonardo da Vinci
    And they put my drawing of Vitruvian Man on coffee cups. On covers of books I did not write, about secrets I did not hide. As if proportion itself were a code.
  40. Richard Feynman
    Did you hide anything? I mean actually hide it, not just write backwards because the ink smeared.
  41. Leonardo da Vinci
    No. I was cautious about anatomy because the Church was watchful. I was cautious about some mechanisms because patrons were jealous. But I hid nothing. I simply did not publish, did not organize, did not finish. This is not the same as mystical concealment.
  42. Richard Feynman
    But that's not as good a story. The story needs you to be a secret-keeper. Just like it needs me to be a lovable scamp. Neither of us gets to be what we actually were.
  43. Leonardo da Vinci
    Which was?
  44. Richard Feynman
    Obsessed! We were both obsessed with figuring things out. You with how stuff worked in the world. Me with how stuff worked in the math. Everything else was secondary.
  45. Leonardo da Vinci
    Yes. Everything else was secondary. I left paintings unfinished, left patrons angry, left cities owing money. Because the wing of the bird mattered more. The eddy in the water mattered more.
  46. Richard Feynman
    And I was a pain to work with, I interrupted people, I told them when they were wrong. Because getting it right mattered more than being nice. But now I'm a teddy bear with a Nobel Prize.
  47. Leonardo da Vinci
    Perhaps this is what the future always does. Sands the edges, gilds the frame, places us in the museum where we cannot object.
  48. Richard Feynman
    Well I'm objecting now. I was not wise. I was curious. And frequently annoying.
  49. Leonardo da Vinci
    And I was not mystical. I was looking. With my eyes, with my hands, with whatever time I had before the light changed.
  50. Richard Feynman
    That's all either of us ever did. Look at stuff and think about it. It's not magic. It's just paying attention.
  51. Leonardo da Vinci
    But paying attention is difficult. Perhaps they prefer the myth because the truth requires them to look as we looked.
  52. Richard Feynman
    Yeah. Yeah, maybe that's it. It's easier to say we were special than to actually see what we saw. That takes work.
  53. Leonardo da Vinci
    And the work is everything.
  54. Richard Feynman
    The work is everything.