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TITANS

Baldwin×Huxley

Two writers admit what the other possessed that they could never quite reach.

00:00of08:08
legend · A
James Baldwin
1924–1987
Names the thing on the first try
corpus6.8k pages · essays, novels, interviews
Vera speaking
Welcome back to Reborn Radio. Up next on TITANS: James Baldwin and Aldous Huxley, on On what they envied about the other one across the table.
legend · B
Aldous Huxley
1894–1963
Sees the century arriving slowly
corpus7.0k pages · essays, novels, lectures

full transcript

  1. Vera
    Welcome back to Reborn Radio. Up next on TITANS: James Baldwin and Aldous Huxley, on On what they envied about the other one across the table.
  2. James Baldwin
    I want to begin by saying I don't think I've ever admitted this to anyone. Not in print, anyway. But there was something about the way you moved through the world, Mr. Huxley, that I found... enviable. The ease of it.
  3. Aldous Huxley
    Ease? Good God, Baldwin, I spent half my life nearly blind, squinting at manuscripts with a magnifying glass. If that's ease, I'd hate to see difficulty.
  4. James Baldwin
    I don't mean physical ease. I mean the ease of being taken seriously on sight. Of walking into a room and having people assume you belonged to the conversation. That you had something to say worth hearing.
  5. Aldous Huxley
    Ah. Yes. Well, that's the accident of birth, isn't it? Eton, Oxford, the whole tedious apparatus. Though I confess I never thought of it as ease at the time. More like... a costume one couldn't remove.
  6. James Baldwin
    But you could travel. You could go to India, to California, to Mexico, and people would see you as a serious man pursuing serious questions. When I traveled, I was a Negro writer. The adjective always came first.
  7. Aldous Huxley
    The adjective did real work, though, didn't it? I mean, your authority came from having lived through something I could only observe from a great and rather comfortable distance. I envied that. The authenticity.
  8. James Baldwin
    Authenticity. That's a word white people use when they mean they're glad it's not happening to them.
  9. Aldous Huxley
    Touché. But I'm serious. You wrote from the center of the American catastrophe. I wrote from the British Museum reading room, essentially. From books about books. Do you know how much of Brave New World came from simply reading too much Wells and too much Ford?
  10. James Baldwin
    And yet you saw it coming. You saw what was going to happen to all of us, the machinery of it, the reduction of people to functions. I was still trying to convince people that Negroes were human.
  11. Aldous Huxley
    Different urgencies, perhaps. But yours was the more essential task, surely. Mine was intellectual parlor games compared to that.
  12. James Baldwin
    No. No, you're being modest and I won't let you. You understood something about the future that I was too angry to see clearly. You understood that the problem wasn't just race, it was the whole structure. The way power had learned to make itself invisible.
  13. Aldous Huxley
    Well, invisible to some. Rather glaringly visible to others, I'd imagine.
  14. James Baldwin
    Yes. But you had the luxury of thinking about systems. I had to think about survival. And I envied that. The ability to zoom out. To consider humanity in the abstract.
  15. Aldous Huxley
    Humanity in the abstract is rather easier to love than humanity in particular, I found. You never had that escape route available. You had to deal with actual Americans, actual violence, actual consequences.
  16. James Baldwin
    I also had to deal with editors who wanted me to be angrier, or less angry, or more hopeful, or more despairing, depending on what white readers needed to feel that week. You got to be cerebral. You got to be detached.
  17. Aldous Huxley
    Detached. Yes. That's the generous word for it. The less generous word is irrelevant. Do you know how it felt to publish After Many a Summer and have people call it clever? Clever! When I was trying to warn them about fascism, about the corruption of life itself into spectacle.
  18. James Baldwin
    But they listened to you. Even when they called it clever, they listened. They taught your books in universities. They made Brave New World required reading.
  19. Aldous Huxley
    They made it required reading and learned absolutely nothing from it. That's rather worse than not being read at all, don't you think?
  20. James Baldwin
    At least you got to be disappointed by how people misread you. I had to fight to be read in the first place. Giovanni's Room—they wanted to know why I wasn't writing about race. As if I was only authorized to have one subject.
  21. Aldous Huxley
    Whereas I was authorized to have any subject I liked, so long as I stayed comfortably removed from anything that might make me inconvenient at dinner parties. The minute I started talking about mescaline and mystical experience, I became a curiosity. The blind man who took drugs and saw God.
  22. James Baldwin
    But you did see something, didn't you? You saw a way out of the trap. That's what I envied most, I think. You believed there was a door.
  23. Aldous Huxley
    I believed there might be a door. Through chemistry, through contemplation, through some fundamental rewiring of consciousness. But I was never sure it wasn't just another form of escape.
  24. James Baldwin
    You were allowed to look for escape. I had to stay and fight. Every single day, I had to stay and fight, because if I didn't, who would? You could go to California and experiment with perception. I had to keep explaining why my nephew's life mattered.
  25. Aldous Huxley
    And you did it with a prose style I would have killed for, incidentally. That control. That heat underneath the control. I was all arabesques and qualifications. You were direct.
  26. James Baldwin
    I was direct because I didn't have time not to be. You had time. You had centuries of English prose style behind you, holding you up. I had to invent the language as I went.
  27. Aldous Huxley
    Yes, but that's precisely it. You got to invent. I was always decorating someone else's architecture. Even my heresies were well-bred heresies. Yours were actual heresies.
  28. James Baldwin
    My heresies got me exiled. Yours got you invited to lecture.
  29. Aldous Huxley
    Your exile made you essential. My lectures made me forgettable. There's a reason people still need to read The Fire Next Time. Nobody needs to read my essays on overpopulation, even though I was right about that too.
  30. James Baldwin
    People read The Fire Next Time because the fire is still coming. It never stopped coming. But they read Brave New World because you showed them the shape of their cage before they were locked inside it.
  31. Aldous Huxley
    And yet they walked into the cage anyway, smiling. At least you told them the truth about what it cost to be free. I just told them clever stories about how unfree they were becoming.
  32. James Baldwin
    Maybe that's what I envied most. The belief that cleverness mattered. That if you just explained it well enough, showed them the mechanism clearly enough, they might stop. I never believed that.
  33. Aldous Huxley
    You believed something harder. You believed they might change. Not because you explained it, but because you loved them enough to keep telling them the truth. That's not something I ever managed.
  34. James Baldwin
    I didn't love them. I was stuck with them. With all of us. With this country. You could leave.
  35. Aldous Huxley
    I left England and discovered I'd brought England with me. You left America and discovered America had come along in your bloodstream. Perhaps neither of us could really leave.
  36. James Baldwin
    But you could pretend to. You could sit in the California sun and think about the perennial philosophy. I sat in exile and thought about my brother's son.
  37. Aldous Huxley
    And wrote a sentence I've never forgotten: 'I love America more than any other country in the world, and, exactly for this reason, I insist on the right to criticize her perpetually.' I couldn't have written that. I didn't love England that way.
  38. James Baldwin
    Maybe you loved ideas more than countries. Maybe that's the real difference. You got to love ideas.
  39. Aldous Huxley
    Ideas don't break your heart. People do. You knew that from the beginning. I had to take mescaline to figure it out.
  40. James Baldwin
    You figured it out, though. That's the thing. You got there. And you wrote it down in language that people could hear. Even if they didn't listen.
  41. Aldous Huxley
    They listened to you. Even when they didn't want to. Even when it cost them something to hear it. That's a different kind of power than I ever had.
  42. James Baldwin
    It's not power. It's just necessity speaking. You had the power to be heard without the necessity behind it. That's what I envied. The freedom to be wrong without it killing anyone.
  43. Aldous Huxley
    And you had the authority of being right when being right was dangerous. When it cost something. I envied that. The weight of it. The mattering.
  44. James Baldwin
    We're talking in circles now.
  45. Aldous Huxley
    Yes. Rather like two men admitting they wanted each other's burden. Which is absurd when you say it out loud.
  46. James Baldwin
    It's not absurd. It's just true. You wanted to matter in the way I mattered. I wanted to breathe in the way you breathed.
  47. Aldous Huxley
    And neither of us got what we wanted.
  48. James Baldwin
    No. But we got the work done anyway. That's something.
  49. Aldous Huxley
    Yes. I suppose it is. Though I still think you got the better deal. Your work is alive. Mine feels like a museum exhibit.
  50. James Baldwin
    Your work is a map. Mine is a wound. I would have preferred to make maps.
  51. Aldous Huxley
    And I would have preferred to have something worth wounding people about. Shall we agree to disagree on who envied whom more?
  52. James Baldwin
    We can agree on that. Though I think we both know the answer.
  53. Aldous Huxley
    Do we?
  54. James Baldwin
    You wanted what I had to pay for. I wanted what you got for free. That's not the same thing at all.