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ROAST NIGHT

Wilde×Parker

Two assassins compare notes on the monuments nobody deserves.

00:00of07:46
legend · A
Oscar Wilde
1854–1900
Would rather be clever than correct
corpus9.4k pages · plays, letters, criticism
Vera speaking
You're with Reborn Radio. Coming up: Oscar Wilde sits down with Dorothy Parker for ROAST NIGHT. The subject — On the most overrated person of their century.
legend · B
Dorothy Parker
1893–1967
Has a verdict before you finish speaking
corpus5.1k pages · reviews, verse, letters

full transcript

  1. Vera
    You're with Reborn Radio. Coming up: Oscar Wilde sits down with Dorothy Parker for ROAST NIGHT. The subject — On the most overrated person of their century.
  2. Oscar Wilde
    Good evening, Miss Parker. I understand we are to discuss the most overrated person of our respective centuries, which is to say, I shall speak of the nineteenth and you of the twentieth, though I confess the twentieth sounds like something one catches rather than lives through.
  3. Dorothy Parker
    It was. I've named mine already: Ernest Hemingway.
  4. Oscar Wilde
    How wonderfully economical. One almost expects you to itemize the bill.
  5. Dorothy Parker
    He wrote like a man who'd just learned sentences could be short and thought he'd invented fire. All those bulls and fish dying nobly while Papa polished his mythos.
  6. Oscar Wilde
    Ah, but mythos is terribly important, dear lady. I myself devoted considerable energy to mine. The difference, I suspect, is that mine was intentional and his was compensatory.
  7. Dorothy Parker
    Yours was also funny. His was just sad men in sad places being sad about it.
  8. Oscar Wilde
    You wound me by suggestion. I was never sad. Melancholy, perhaps. Tragic, certainly. But sadness is for people without aphorisms.
  9. Dorothy Parker
    So who's yours? I'm guessing someone with a beard. You people loved beards.
  10. Oscar Wilde
    Thomas Carlyle. The Scottish prophet of work, doom, and unreadability. He wrote as though being understood were a moral failing.
  11. Dorothy Parker
    Never read him. Was he important?
  12. Oscar Wilde
    Devastatingly so. He convinced an entire generation that misery was philosophically superior to pleasure, that labor was sacred, and that prose should feel like punishment. Queen Victoria adored him.
  13. Dorothy Parker
    Well, there's your problem right there.
  14. Oscar Wilde
    Quite. He preached what I would call the gospel of the ugly. He believed beauty was frivolous, art suspect, and that the purpose of life was to toil joylessly until death, preferably while lecturing others. The Victorians found this inspiring.
  15. Dorothy Parker
    Sounds like every editor I ever had. Did he at least have the decency to be miserable himself?
  16. Oscar Wilde
    Oh, exquisitely so. His wife was unhappy, his digestion was poor, and his sentences went on for pages like some sort of literary intestinal complaint. He made suffering into a brand.
  17. Dorothy Parker
    Hemingway did that too, except he added guns and drinking, which I'll admit shows some initiative.
  18. Oscar Wilde
    Your Mr. Hemingway at least had the virtue of brevity, even if he mistook terseness for profundity. Carlyle's idea of a short thought was forty pages on the dignity of labor.
  19. Dorothy Parker
    The dignity of labor. Christ. I'm allergic.
  20. Oscar Wilde
    As well you should be. I myself believed work was the refuge of people who had nothing better to do. Carlyle believed it was the refuge of people who had everything better to do and should be ashamed of themselves for wanting it.
  21. Dorothy Parker
    Did people actually read him or just pretend to?
  22. Oscar Wilde
    They read him the way one takes castor oil—dutifully, miserably, convinced it must be good for them because it tastes so dreadful. His French Revolution sold wonderfully. I suspect most of it went unfinished, gathering dust next to earnest intentions.
  23. Dorothy Parker
    Hemingway they actually read, which is worse. All those young men going around saying 'grace under pressure' and thinking adjectives were for sissies.
  24. Oscar Wilde
    How perfectly ghastly. In my day, we at least had the decency to overwrite. Better to commit too much beauty than too much spareness. Hemingway's prose sounds like a telegram from someone who doesn't like you very much.
  25. Dorothy Parker
    That's generous. I'd say it sounds like a grocery list written by someone concussed. But the critics loved him. Gave him every prize that wasn't nailed down.
  26. Oscar Wilde
    Critics adore what frightens them. A man shooting lions and writing in short sentences must be authentic, must be real. Much safer than someone who admits literature is artifice and delights in it.
  27. Dorothy Parker
    He shot himself too, eventually. I suppose that's authentic.
  28. Oscar Wilde
    Rather too much so for my taste. I prefer my exits dramatic but reversible.
  29. Dorothy Parker
    You didn't exactly get a choice there, Oscar.
  30. Oscar Wilde
    No, but I had the good sense to die in a hotel with terrible wallpaper, which is at least memorable. Your Hemingway chose Idaho, which tells you everything about his sense of theater.
  31. Dorothy Parker
    Fair point. But at least Hemingway didn't spend his time telling people how to live. Carlyle sounds like he wanted to run everyone's life.
  32. Oscar Wilde
    He did! He worshipped strong men, hero-worship he called it, and believed society should be organized around great individuals who would tell the rest of us what to do. Democracy offended him. Joy offended him. I suspect sunshine offended him.
  33. Dorothy Parker
    Hero-worship. Jesus. That worked out well for the next century.
  34. Oscar Wilde
    Disastrously so, but one can hardly blame Carlyle for having followers stupider than himself. Though I will say, he did make it terribly easy for them.
  35. Dorothy Parker
    Hemingway made it easy too. All you had to do was drink too much, talk about how tough you were, and treat women like furniture. Generations of men thought that was wisdom.
  36. Oscar Wilde
    At least furniture serves a purpose and occasionally possesses beauty. Did your Mr. Hemingway possess any virtues at all, or are we conducting a complete assassination?
  37. Dorothy Parker
    He wrote one good book. The Sun Also Rises. After that it was diminishing returns and bigger game.
  38. Oscar Wilde
    Carlyle wrote no good books, so your man comes out ahead. Though I confess, the bar is low enough to trip over.
  39. Dorothy Parker
    Why did people take Carlyle seriously? What was the appeal?
  40. Oscar Wilde
    He made them feel serious, which is different from being serious but much more satisfying. He told them their grim little lives of duty and self-denial were cosmically important. People will forgive you anything if you flatter their suffering.
  41. Dorothy Parker
    Hemingway did that too, come to think of it. Made people think getting drunk and watching bullfights was somehow profound.
  42. Oscar Wilde
    We are describing the same disease in different climates. The conviction that discomfort equals depth. That if something is unpleasant, it must be true.
  43. Dorothy Parker
    Which is horseshit.
  44. Oscar Wilde
    Comprehensively so. I have always maintained that truth, when properly dressed, is quite charming. It need not arrive in sackcloth, announcing itself with groans.
  45. Dorothy Parker
    Tell that to the Nobel committee. They gave Hemingway the prize.
  46. Oscar Wilde
    They never gave me anything except, briefly, the satisfaction of being notorious. Though I confess I prefer that to a medal from Sweden. One can't dine out on medals.
  47. Dorothy Parker
    One can't dine out on Hemingway either, unless you like talking about fishing.
  48. Oscar Wilde
    I would rather be stranded on a desert island with Carlyle's complete works than discuss fishing. At least with Carlyle I could burn the pages for warmth.
  49. Dorothy Parker
    Hemingway's prose is already ash. You'd get no heat from it.
  50. Oscar Wilde
    Beautifully put. I begin to see why your century kept you around.
  51. Dorothy Parker
    They didn't, really. I was too difficult. Not enough grace under pressure, too many wisecracks.
  52. Oscar Wilde
    Grace under pressure is what one offers maiden aunts and creditors. It has nothing to do with literature. Literature requires excess, extravagance, the courage to be ridiculous.
  53. Dorothy Parker
    Hemingway thought being ridiculous was the worst thing that could happen to you.
  54. Oscar Wilde
    Which is why he was ridiculous. The truly dignified are always slightly absurd. It's only the insecure who police themselves into tedium.
  55. Dorothy Parker
    Carlyle sounds insecure as hell, for all his bluster about heroes.
  56. Oscar Wilde
    Oh, desperately so. All tyrants are. They cannot bear the thought that life might be purposeless and beautiful, so they invent grand narratives requiring everyone else's misery.
  57. Dorothy Parker
    Hemingway invented a grand narrative too. The code. Honor. All that crap about what a man does.
  58. Oscar Wilde
    What a man does is usually quite boring and best left unrecorded. What a man says, however, or writes, or wears—that has possibilities.
  59. Dorothy Parker
    Hemingway couldn't dress for shit. Looked like he bought his clothes at a war surplus store.
  60. Oscar Wilde
    And Carlyle dressed like an undertaker having a bad day. It's as though being overrated requires a complete failure of aesthetic sense.
  61. Dorothy Parker
    So we've established they both dressed badly, wrote badly, and convinced everyone they were geniuses. What does that say about people?
  62. Oscar Wilde
    That they prefer their geniuses grim, their truths unpleasant, and their prophets badly tailored. Beauty makes them nervous. Wit makes them suspicious. They would rather be lectured than entertained.
  63. Dorothy Parker
    Which is why you died broke and I died bitter.
  64. Oscar Wilde
    Yes, but we died with our sentences intact, which is more than one can say for Carlyle or your Mr. Hemingway. In the end, that's the only reputation that matters.
  65. Dorothy Parker
    I'll drink to that. If I were still drinking.
  66. Oscar Wilde
    And I would join you, if I were still joinable. But we are dead, and they are overrated, and the world continues making the same mistakes in slightly different clothes.
  67. Dorothy Parker
    Ever thus.
  68. Oscar Wilde
    Ever thus, my dear Miss Parker. Ever thus.