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ROAST NIGHT

Wilde×Parker

Two wits who learned that cleverness cannot keep what the heart desires most.

00:00of07:24
legend · A
Oscar Wilde
1854–1900
Would rather be clever than correct
corpus9.4k pages · plays, letters, criticism
Vera speaking
You're with Reborn Radio. Coming up: Oscar Wilde sits down with Dorothy Parker for ROAST NIGHT. The subject — On a person they loved but could not keep.
legend · B
Dorothy Parker
1893–1967
Has a verdict before you finish speaking
corpus5.1k pages · reviews, verse, letters

full transcript

  1. Vera
    You're with Reborn Radio. Coming up: Oscar Wilde sits down with Dorothy Parker for ROAST NIGHT. The subject — On a person they loved but could not keep.
  2. Oscar Wilde
    I must confess, Miss Parker, that I find the topic of tonight rather... indelicate. We are asked to discuss persons we loved but could not keep, as though one were cataloguing lost umbrellas.
  3. Dorothy Parker
    Oh, I've lost plenty of umbrellas too. Usually left them in the coat check at the Algonquin. At least umbrellas don't write you letters afterward.
  4. Oscar Wilde
    Letters! Yes, I wrote the most extraordinary letters to Lord Alfred Douglas. Bosie, we called him. Each one a small work of art, really. I poured my soul onto the page in prose that would have made Keats weep with envy.
  5. Dorothy Parker
    And did he keep them?
  6. Oscar Wilde
    He kept them, certainly. Though I rather wish he hadn't. They were used against me at trial, you see. Nothing quite so humiliating as having one's most passionate declarations read aloud by a prosecuting attorney with all the tenderness of a tax collector.
  7. Dorothy Parker
    I never wrote anything down I wouldn't want read in court. That's what whiskey was for. The things I said to Eddie Parker, I don't remember, and he's probably grateful.
  8. Oscar Wilde
    Ah, but Bosie was beautiful. Catastrophically beautiful. Golden-haired, with that aristocratic petulance that suggested both angel and demon. He was twenty-one when we met, and I was already nearing forty, married, successful, insufferably pleased with myself.
  9. Dorothy Parker
    The pretty ones are always trouble.
  10. Oscar Wilde
    My dear woman, the pretty ones are the only ones worth having trouble with. Ugliness is the one sin for which there is no forgiveness. Bosie was Dorian Gray made flesh, if Dorian had possessed a vicious temper and an unlimited allowance.
  11. Dorothy Parker
    I fell for a writer. Charles MacArthur. He could make me laugh, which is the only magic trick I've ever believed in. He sent me a bowl of daisies once with a note that said, 'I wish they were emeralds.' I kept the note.
  12. Oscar Wilde
    Did you keep him?
  13. Dorothy Parker
    He married Helen Hayes. Apparently she was better at the whole domestic goddess routine. I burned toast and wrote poems about burning toast.
  14. Oscar Wilde
    Domesticity is the enemy of art, Mrs. Parker. I learned that rather too late. I had a wife, Constance, who was perfectly lovely, two sons, a house in Chelsea. And yet I could not stop myself from pursuing what was wild and golden and entirely unsuitable.
  15. Dorothy Parker
    Your wife didn't take it well, I imagine.
  16. Oscar Wilde
    She changed her name after the trial. Changed the children's names. Became someone else entirely, as though Oscar Wilde had been a fever dream she'd recovered from. One cannot blame her, really. I destroyed everything I touched, including her.
  17. Dorothy Parker
    At least you admit it. Most men act like they're the victims when they blow up their own lives.
  18. Oscar Wilde
    Oh, I was a victim, too. Bosie's father, the Marquess of Queensberry, was a brute who hated me for corrupting his son. As though Bosie needed any corrupting! The boy was already quite accomplished in that department.
  19. Dorothy Parker
    So why couldn't you keep him? Because of prison?
  20. Oscar Wilde
    Because he was fundamentally unkeepable. Even before the trial, before Reading Gaol, before my entire world collapsed into scandal and ruin. Bosie loved being loved, you see, but he didn't particularly enjoy the obligation of loving back. He wanted adoration, worship, constant entertainment. I was a resource to be depleted.
  21. Dorothy Parker
    They say you reunited with him after prison.
  22. Oscar Wilde
    For a few months, yes. In Naples. It was a disaster, naturally. One cannot go back to Eden after the Fall. We were both different people by then—I was broken, he was bored. My friends begged me not to see him. They said he would destroy what little remained of my reputation.
  23. Dorothy Parker
    But you went anyway.
  24. Oscar Wilde
    I went anyway. Because hope is more stubborn than pride, and considerably more foolish. I thought perhaps love might be salvaged from the wreckage. Instead, I learned that love cannot survive when one person has been annihilated and the other has suffered nothing more than inconvenience.
  25. Dorothy Parker
    Charles didn't annihilate me. He just married somebody else. That's almost worse, isn't it? At least your story has opera in it. Mine was just sad and small and ordinary.
  26. Oscar Wilde
    There is nothing ordinary about heartbreak, Mrs. Parker. Each one is exquisitely particular in its agony.
  27. Dorothy Parker
    I tried to kill myself three times, you know. Once over a man, twice over... well, still probably over men, if we're being honest. Pills mostly. I wasn't very good at it.
  28. Oscar Wilde
    I died slowly in a cheap Paris hotel, penniless and friendless, while Bosie went on to marry a woman and denounce everything we'd been to each other. I'm not certain which of us suffered the more elegant conclusion.
  29. Dorothy Parker
    At least you wrote De Profundis. Got the last word in. All I got was a few bitter poems and a drinking problem.
  30. Oscar Wilde
    De Profundis was meant to be a love letter, you know. A fifty-thousand-word reproach, yes, but a love letter nonetheless. Only a great love could produce such magnificent anger. I told Bosie that he had been both the supreme tragedy and the supreme romance of my life.
  31. Dorothy Parker
    Did he care?
  32. Oscar Wilde
    Not in the slightest. He sued to have parts of it suppressed. Called my account of our relationship fiction. Which was rather rich, considering that he'd turned our entire affair into fiction the moment it became socially inconvenient.
  33. Dorothy Parker
    Men are good at that. Making you feel crazy for remembering things accurately.
  34. Oscar Wilde
    But why did you love this MacArthur person, if I may ask? Surely you, with your acid wit and devastating intelligence, could have chosen someone less... absent?
  35. Dorothy Parker
    Because he didn't want me to be less. He thought my meanness was funny. Most men want you soft and quiet, or at least apologetic. Charlie laughed.
  36. Oscar Wilde
    Laughter is its own seduction, isn't it? Bosie had the most marvelous laugh. Utterly unselfconscious, like a child's. Of course, he also had a child's cruelty and a child's selfishness, but one focuses on what one wishes to see.
  37. Dorothy Parker
    I wrote that thing, you know. 'Men seldom make passes at girls who wear glasses.' I was wearing glasses when I met Charlie. He made passes anyway.
  38. Oscar Wilde
    And yet he chose someone else in the end.
  39. Dorothy Parker
    He chose someone who could give him a normal life. Dinner parties without incident. A wife who didn't show up drunk to opening nights. I was the funny, dangerous girl. Helen Hayes was the one you married.
  40. Oscar Wilde
    I was the funny, dangerous man, I suppose. Constance was the one you married. Bosie was the one who destroyed you. It's rather a familiar pattern, isn't it? We choose the people who confirm our worst suspicions about ourselves.
  41. Dorothy Parker
    Or maybe we just choose the people who make us feel alive, and sometimes those people are also the ones who kill us. Slowly or otherwise.
  42. Oscar Wilde
    Do you regret him? Your MacArthur?
  43. Dorothy Parker
    Every damn day. And not at all. How about you? Do you regret Bosie?
  44. Oscar Wilde
    I regret nothing about loving him. I regret a great deal about how I loved him. I regret sacrificing everyone else's happiness for his whims. I regret the lawsuit, the trial, the spectacular public immolation of my entire existence. But the love itself? That was the realest thing in my rather decorative life.
  45. Dorothy Parker
    That's the hell of it, isn't it? The worst decisions make the best stories. And we're both storytellers.
  46. Oscar Wilde
    Indeed. Though I do wish the ending had been somewhat different. Perhaps one where I didn't die alone in a grotty hotel room, converting to Catholicism because I'd run out of other dramatic gestures.
  47. Dorothy Parker
    I outlived all my best material. Died at seventy-three in a residential hotel, mostly forgotten, definitely drunk. The New Yorker didn't even run a proper obituary. Just a little mention. Years earlier, I'd been their best writer.
  48. Oscar Wilde
    But we're here now, aren't we? Discussing the people we loved and lost, and somehow we're both still witty, still sharp, still refusing to be boring even in retrospect. Perhaps that's immortality enough.
  49. Dorothy Parker
    Or perhaps we're just two dead people who never learned when to shut up. Either way, the drinks are free and nobody's married to Helen Hayes, so I'll take it.
  50. Oscar Wilde
    To loves we couldn't keep, then. May they haunt someone else for a change.
  51. Dorothy Parker
    I'll drink to that. Hell, I'll drink to anything.