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ROAST NIGHT

Parker×Wilde

Two masters of the barb unsheathe softer blades—and find they cut deeper.

00:00of08:29
legend · A
Dorothy Parker
1893–1967
Has a verdict before you finish speaking
corpus5.1k pages · reviews, verse, letters
Vera speaking
You're with Reborn Radio. Coming up: Dorothy Parker sits down with Oscar Wilde for ROAST NIGHT. The subject — On a person they loved but could not keep.
legend · B
Oscar Wilde
1854–1900
Would rather be clever than correct
corpus9.4k pages · plays, letters, criticism

full transcript

  1. Vera
    You're with Reborn Radio. Coming up: Dorothy Parker sits down with Oscar Wilde for ROAST NIGHT. The subject — On a person they loved but could not keep.
  2. Dorothy Parker
    So we're meant to weep into our cocktails tonight, is that it? Confess our romantic failures to strangers with radios? I've done worse for less money.
  3. Oscar Wilde
    My dear Mrs. Parker, we are not confessing. We are performing grief, which is an entirely different art. Confession is for priests and bad novelists.
  4. Dorothy Parker
    You'd know about performance. You made a career of it. Though I suppose when you loved Lord Alfred Douglas, that wasn't exactly Shakespeare, was it? More like a bad matinée that ran too long.
  5. Oscar Wilde
    Bosie. Yes. Beautiful as a winter morning and twice as cruel. But you mistake the matter—I knew precisely what he was. I simply believed I could make him better through the sheer force of my devotion. Vanity, not blindness.
  6. Dorothy Parker
    Vanity. That's a nice word for it. I called it stupidity when I did the same thing with men who drank everything but water and meant everything but what they said.
  7. Oscar Wilde
    You married one of them, I believe. Twice.
  8. Dorothy Parker
    Alan. Yes. Alan Campbell. Charming, handsome, homosexual, and utterly unavailable in every way that mattered. We got on famously, by which I mean we destroyed each other with excellent timing.
  9. Oscar Wilde
    Did you love him, though? Truly? Or did you love the idea of救uing someone as damaged as yourself?
  10. Dorothy Parker
    What's the difference? When you're both drowning, you don't ask who jumped in first. I loved him the way you love a beautiful mistake—knowing it's wrong, doing it anyway, and hating yourself just enough to make it interesting.
  11. Oscar Wilde
    How perfectly American. In England, we at least have the decency to hate ourselves in silence.
  12. Dorothy Parker
    In England, you had the decency to put people like you in prison for it. Don't lecture me about silence, Oscar. You screamed your love from every witness stand and got two years hard labor for the privilege.
  13. Oscar Wilde
    Touché. Though I notice you never screamed yours. You made jokes about it instead, which is perhaps the more refined form of cowardice.
  14. Dorothy Parker
    I wrote about Alan. I wrote about all of them. Just because I made it funny doesn't mean it didn't bleed. You want to know what I couldn't keep? His attention. His sobriety. His interest in women. Take your pick.
  15. Oscar Wilde
    The thing about Bosie was that he was supremely keepable. Beautiful young men always are—they simply choose not to be kept. He preferred chaos to devotion, scandal to safety. I offered him everything, and he took it as his due while loving me not at all.
  16. Dorothy Parker
    That's not quite true though, is it? He loved you enough to destroy you. That takes a certain commitment.
  17. Oscar Wilde
    He destroyed me because his father was a brute and I was vain enough to sue him for libel. Bosie merely stood by and watched, which I suppose is its own form of devotion. The devotion of Pontius Pilate.
  18. Dorothy Parker
    At least your boy was young and pretty. That's something. Mine was young and pretty too, but he was also my meal ticket after the whole thing died. We wrote screenplays together. Nothing says romance like arguing over second-act structure while your marriage falls apart.
  19. Oscar Wilde
    You married him a second time. That suggests either optimism or masochism, and I suspect I know which.
  20. Dorothy Parker
    It suggests loneliness, Oscar. Plain old American loneliness. The kind where you take back the man who makes you miserable because miserable together beats miserable alone. At least that's what I told myself at three in the morning.
  21. Oscar Wilde
    I wrote Bosie letters from prison. Hundreds of them. One of them was fifty thousand words long and detailed every way he had failed me. I titled it 'De Profundis.' From the depths. He never acknowledged it.
  22. Dorothy Parker
    Fifty thousand words? My God, Oscar, that's not a letter, that's revenge with postage. What did you want him to say? 'Sorry I ruined your life, hope you enjoyed Hard Labor'?
  23. Oscar Wilde
    I wanted him to read it. To understand what his carelessness had cost. To feel one tenth of what I felt. Instead he sold my letters to pay his debts and went on being beautiful.
  24. Dorothy Parker
    Alan killed himself. Did I mention that? Shot himself. After we divorced the second time. So if we're comparing wounds, I think mine came with a body count.
  25. Oscar Wilde
    I am... I'm terribly sorry, Dorothy. Truly.
  26. Dorothy Parker
    Don't be. He'd tried it before. And I'd joked about it, because that's what I did. 'You might as well live,' I wrote. Famous poem. Meanwhile the man I married was practicing his exit. The irony wasn't lost on me, even if everything else was.
  27. Oscar Wilde
    Did you blame yourself?
  28. Dorothy Parker
    Every day. Then I blamed him. Then I blamed myself for blaming him. Then I had a drink. It's very efficient, grief. Once you get the system down.
  29. Oscar Wilde
    After prison, after everything, Bosie and I met again. In France. We had nothing to say to each other that wasn't either recrimination or lies, so we spoke of the weather and parted as strangers. It was extraordinarily civilized and completely unbearable.
  30. Dorothy Parker
    At least you got your meeting. I got a funeral and a lot of people asking if I was all right. Of course I was all right. I'm always all right. That's my whole goddamn problem.
  31. Oscar Wilde
    The problem with loving unwisely is that wisdom arrives too late to be of any use. We know what we're doing while we're doing it. We simply believe we're exempt from the ordinary consequences that plague ordinary people.
  32. Dorothy Parker
    Because we're special. Because we're artists. Because we feel things more deeply and therefore deserve to suffer more beautifully. What horseshit. We're just fools with better vocabularies.
  33. Oscar Wilde
    Fools who loved, though. That must count for something, even if it counted for nothing to them.
  34. Dorothy Parker
    Does it, though? Count for something? Bosie didn't read your fifty-thousand-word howl. Alan didn't stick around to hear my apologies, not that I was particularly good at making them. We loved people who couldn't love us back, and then we wrote about it. That's not noble. That's just sad.
  35. Oscar Wilde
    It's both, surely. The sadness and the nobility are not mutually exclusive. We loved badly, but we loved. Most people don't manage even that. They live their careful little lives and die having risked nothing.
  36. Dorothy Parker
    Lucky them.
  37. Oscar Wilde
    You don't mean that.
  38. Dorothy Parker
    No. I don't. I'd do it all again, probably. The marriage, the jokes, the whole miserable circus. Because what's the alternative? Being sensible? I tried that once. It lasted about twenty minutes and bored me to tears.
  39. Oscar Wilde
    I tried it in Reading Gaol. Sensibility, I mean. Reflection. Wisdom. I thought suffering would make me a better man. Instead it simply made me a poorer one, in every sense of the word.
  40. Dorothy Parker
    Did you ever stop loving him? Bosie? Or does that just go on forever, like a subscription you can't cancel?
  41. Oscar Wilde
    I stopped loving him the moment I understood he was incapable of loving anyone but himself. But I never stopped mourning what I thought we were. The loss of the illusion is sometimes worse than the loss of the person.
  42. Dorothy Parker
    That's the truest thing you've said all night. I didn't lose Alan. I lost the version of us I'd invented, where his problems were fixable and my love was enough. Turns out neither was true. Turns out love isn't enough for much of anything, except making you feel like an idiot.
  43. Oscar Wilde
    And yet here we are, talking about them still. Decades later, in my case. Years in yours. They haunt us more effectively dead than they ever did alive.
  44. Dorothy Parker
    Maybe that's the only way we could keep them. As ghosts. As stories. As the punchline to jokes only we understand. It's not what I wanted, but it's what I got.
  45. Oscar Wilde
    What did you want, Dorothy? If you could have had anything?
  46. Dorothy Parker
    I wanted him to stay. I wanted him to stop drinking, stop hurting, stop being so goddamn fragile that loving him felt like holding a glass shard. I wanted ordinary happiness, which is the one thing neither of us knew how to do.
  47. Oscar Wilde
    I wanted Bosie to grow up. To become a man worthy of the love I'd wasted on him as a boy. I wanted him to read my letter and weep and beg my forgiveness. Childish dreams, all of them.
  48. Dorothy Parker
    We're a pair, aren't we? Two brilliant people completely stupid about the one thing that matters. If I weren't so tired, I'd write a poem about it. But I already did. Several. They didn't help.
  49. Oscar Wilde
    Nothing helps, my dear. That's rather the point. We write, we joke, we perform our grief in perfect sentences, and still we wake up alone with our regrets. It's the human condition, only we do it in better prose.
  50. Dorothy Parker
    Well. At least we're consistent. Here's to lost loves and found words. May they console us or kill us, whichever comes first.
  51. Oscar Wilde
    I'll drink to that. Though I suspect we already have, many times, and will again.
  52. Dorothy Parker
    Probably. That's the other thing about grief. It's terribly repetitive. Same pain, different Tuesday.
  53. Oscar Wilde
    Then let us be repetitive together, at least for tonight. Misery may love company, but wit requires an audience. And you, Mrs. Parker, are an excellent audience.
  54. Dorothy Parker
    Back at you, Oscar. Now can we please talk about something else? Anything else? This much honesty is giving me hives.
  55. Oscar Wilde
    By all means. Though I suspect the damage is already done. We've been sincere on public radio. Our reputations will never recover.
  56. Dorothy Parker
    Good. They were overrated anyway.