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ROAST NIGHT

Parker×Wilde

Two masters of the wicked line discuss the only thing more unbearable than failure—being outshone.

00:00of07:06
legend · A
Dorothy Parker
1893–1967
Has a verdict before you finish speaking
corpus5.1k pages · reviews, verse, letters
Dorothy Parker speaking
Oscar, I've been thinking about students. The ones who learn everything you teach them and then have the gall to use it better than you did.
legend · B
Oscar Wilde
1854–1900
Would rather be clever than correct
corpus9.4k pages · plays, letters, criticism

full transcript

  1. Dorothy Parker
    Oscar, I've been thinking about students. The ones who learn everything you teach them and then have the gall to use it better than you did.
  2. Oscar Wilde
    My dear Dorothy, surely you mean the ones who mistake imitation for inspiration? I've never met a pupil who surpassed me. Though I confess I've met several who believed they had.
  3. Dorothy Parker
    Of course you haven't. You died at forty-six. Give them time—they catch up when you're not looking.
  4. Oscar Wilde
    How unkind. And how typical of you to measure genius by the calendar. I suppose you think Shakespeare would have been better if he'd lived to ninety?
  5. Dorothy Parker
    I think Shakespeare didn't have to watch lesser talents win the prizes he deserved. That's the real test—watching mediocrity collect your mail.
  6. Oscar Wilde
    Ah, but we're not discussing mediocrity tonight, are we? We're discussing the gifted student who eclipses the teacher. Quite different. Rather mythological, actually. Reminds one of Zeus swallowing his children to prevent the prophecy.
  7. Dorothy Parker
    You would go Greek on me. I'm talking about the kid at the Algonquin who listens to your best lines and files them away for later, improved.
  8. Oscar Wilde
    And uses them in some dreary publication for the masses? Dorothy, that's not surpassing—that's stenography with aspirations.
  9. Dorothy Parker
    No, I mean when they take your weapon and sharpen it. When they learn your timing and then speed it up just enough to make yours look arthritic.
  10. Oscar Wilde
    I remain skeptical. Style cannot be taught, only admired from a distance. One can teach technique, certainly—the placement of a comma, the Turn of phrase. But the essential thing? The spark? Either one is born with fire or one spends one's life describing it to others.
  11. Dorothy Parker
    Pretty speech. Did you rehearse it before you died or after?
  12. Oscar Wilde
    One doesn't rehearse truth, darling. One simply utters it and watches the world adjust accordingly. But tell me—who is this prodigy of yours? This student who apparently learned cruelty at your knee and improved upon the recipe?
  13. Dorothy Parker
    I don't have one. That's the worst part. I taught nobody and influenced nothing. I just wrote clever things until I ran out of clever, and now here I sit, in radio purgatory with you.
  14. Oscar Wilde
    Now that is genuinely sad. Not the purgatory bit—that I find rather stimulating. But the idea that you believe you taught nobody? My dear, every American who ever wrote a short, sharp sentence about a long, dull marriage owes you money.
  15. Dorothy Parker
    They owe me nothing. They took the trick and made it theirs. That's how it works. You hand somebody a knife and if they're any good, they cut you with it.
  16. Oscar Wilde
    How biblical. How terribly Old Testament of you. Though I confess I prefer the New—better production values, more interesting protagonist.
  17. Dorothy Parker
    Stop deflecting. You're telling me you never worried? Never saw some young wit at a London dinner party and thought, 'Christ, he does it better than I do'?
  18. Oscar Wilde
    Never. Primarily because I was always the young wit at the dinner party. I perfected that role early and refused to relinquish it even when the calendar suggested otherwise.
  19. Dorothy Parker
    Until you couldn't afford the dinner parties anymore.
  20. Oscar Wilde
    Well. Yes. There was that. But even in exile and poverty, I remained more quotable than my successors. Shaw tried, bless him. All that beard and socialism. But he lacked the essential lightness. He wanted to improve people. Fatal error.
  21. Dorothy Parker
    Shaw outlasted you by half a century and won a Nobel Prize. I'd call that a successful student.
  22. Oscar Wilde
    Shaw was never my student! He was my—my contemporary. My rival. Entirely different category. Though I grant you he learned the value of paradox by observing me. His were simply heavier, more Germanic somehow.
  23. Dorothy Parker
    So he learned from you, refined it, and got richer and more famous. That's surpassing, Oscar. That's exactly what we're talking about.
  24. Oscar Wilde
    He got older, Dorothy. He got older and repeated himself and accepted every honor a grateful nation could pin to his lapel. I burned out like a comet and left only beauty behind. Which of us do you think literature remembers more fondly?
  25. Dorothy Parker
    Both of you. That's the problem. There's room for everyone in the pantheon except the people who are still alive and trying to get in.
  26. Oscar Wilde
    Now you're being maudlin. And I suspect you're thinking of someone specific. Some young Parker who watched you work and thought, 'I can do that, but without all the drinking and disappointment.'
  27. Dorothy Parker
    Without the drinking? Then they weren't paying attention. The drinking was half the style.
  28. Oscar Wilde
    Was it style or was it survival? I ask without judgment—I spent my final years on absinthe and regret. Not a recommended combination, though it does make one's last words rather memorable.
  29. Dorothy Parker
    Your last words were about wallpaper, Oscar. Let's not gild the lily.
  30. Oscar Wilde
    The wallpaper or me—one of us had to go. Still a perfect exit line, whatever the context. But we're evading the question again. Do you actually fear being surpassed, or do you fear never having mattered enough to be worth surpassing?
  31. Dorothy Parker
    That's the same question wearing better clothes.
  32. Oscar Wilde
    Is it? I think one is about pride and the other about legacy. I never doubted my legacy—I was far too busy constructing it. But you Americans, you're always so anxious about the future. As if the present weren't sufficient punishment.
  33. Dorothy Parker
    The present was fine. I got paid, I got printed, I got laid. It's the afterward that's tricky. The part where people decide whether you were necessary or just entertaining.
  34. Oscar Wilde
    And if a student surpasses you, you reason, then you must have been only the latter? Darling, that's terrible logic. The teacher who produces a genius is more necessary than a dozen mediocrities who produce nothing but more mediocrity.
  35. Dorothy Parker
    Unless the genius would have happened anyway and you just got in the way for a few years.
  36. Oscar Wilde
    Now you're being deliberately perverse. Tell me—would you rather have had no influence at all, or would you rather have shaped someone who eclipsed you? Because I suspect there's a third option you're ignoring.
  37. Dorothy Parker
    Which is?
  38. Oscar Wilde
    That you were never meant to have students. That your work was complete in itself, like a perfect poisonous berry. Beautiful, self-contained, not requiring propagation.
  39. Dorothy Parker
    That's the loneliest thing you've said all night, and you've been dead for over a century. Congratulations.
  40. Oscar Wilde
    Lonely? Perhaps. But also rather magnificent. Not everything needs to reproduce itself, Dorothy. Some things exist purely to be admired and then vanish. Fireworks, for instance. Or my plays during their first production.
  41. Dorothy Parker
    Your plays are still produced. That's the opposite of vanishing.
  42. Oscar Wilde
    They're performed, yes. But by people who can't possibly understand the original effect. The shock of it. The way we laughed because we recognized ourselves and were appalled and delighted simultaneously.
  43. Dorothy Parker
    So you did have students. Every director who mounts one of your plays is trying to learn from you. And some of them probably do it better than you imagined.
  44. Oscar Wilde
    That's not surpassing me—that's interpreting me. Entirely different. One cannot surpass the source material. One can only vary it.
  45. Dorothy Parker
    Keep telling yourself that. Meanwhile Shaw got the Nobel and died at ninety-four, beloved and rich. Your best student won the game.
  46. Oscar Wilde
    My best student would have been me, if I'd lived longer and loved more wisely. But yes, I concede your point. Shaw succeeded where I did not. Does that please you? To hear me admit it?
  47. Dorothy Parker
    Not really. I was hoping you'd fight harder. I'm disappointed in you, Oscar.
  48. Oscar Wilde
    And I in you, Dorothy. You've spent this entire conversation pretending to discuss students when what you really want to know is whether you mattered. The answer is yes. You mattered. You still matter. Even in this absurd afterlife, you matter. Satisfied?
  49. Dorothy Parker
    No. But it'll do until something better comes along. That's what I always put on my tombstone anyway—'Excuse my dust.'
  50. Oscar Wilde
    Perfect. Modest, dismissive, and utterly memorable. You see? Even in death, you remain instructive. Somewhere, someone is learning from that.
  51. Dorothy Parker
    God help them.
  52. Oscar Wilde
    Indeed. Though I suspect God gave up on both of us decades ago. We'll have to help ourselves.