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LATE SHOW

Wilde×Parker

Two legends who turned wit into armor discover what happens when the costume fits too well.

00:00of06:42
legend · A
Oscar Wilde
1854–1900
Would rather be clever than correct
corpus9.4k pages · plays, letters, criticism
Vera speaking
Welcome back to Reborn Radio. Up next on LATE SHOW: Oscar Wilde and Dorothy Parker, on On their public reputation versus what they actually thought.
legend · B
Dorothy Parker
1893–1967
Has a verdict before you finish speaking
corpus5.1k pages · reviews, verse, letters

full transcript

  1. Vera
    Welcome back to Reborn Radio. Up next on LATE SHOW: Oscar Wilde and Dorothy Parker, on On their public reputation versus what they actually thought.
  2. Oscar Wilde
    Miss Parker, I must confess that I have always admired your cruelty. It has such precision. Like a surgeon who moonlights as an assassin.
  3. Dorothy Parker
    And I've always admired your sentences, Mr. Wilde. They arrive wearing better clothes than most people.
  4. Oscar Wilde
    How kind. Though I suspect we are both here to discuss the uncomfortable fact that the public mistook our performances for our souls.
  5. Dorothy Parker
    Oh, the public. They wanted me to be permanently hung over and permanently heartbroken. I obliged in print. What did they want from you?
  6. Oscar Wilde
    Paradoxes at breakfast. Epigrams at tea. They wanted me to be infinitely amusing and never serious, as though depth and surface could not coexist in the same man. I gave them the surface because the surface was exquisite.
  7. Dorothy Parker
    And because the surface paid better.
  8. Oscar Wilde
    Well, naturally. One must eat. Although I preferred to dine. But you, my dear, you built yourself into a legend of one-liners and gin. Was any of it true?
  9. Dorothy Parker
    The gin was true. The rest was a job application. I was a woman trying to get paid to write, which in New York in the twenties meant being twice as sharp and half as sober as the men. So I sharpened.
  10. Oscar Wilde
    And they loved you for it.
  11. Dorothy Parker
    They loved the act. Me they tolerated. There's a difference.
  12. Oscar Wilde
    I know the difference rather well. After my trials, the public decided I had been posing all along. They could not reconcile the aesthete with the prisoner. As though suffering were somehow beneath my brand.
  13. Dorothy Parker
    You wrote De Profundis in prison. That's not exactly light comedy.
  14. Oscar Wilde
    No one read it for decades. They preferred to remember me in a velvet coat holding a sunflower. The serious Oscar, the one who wept and prayed and reconsidered everything, was not box office.
  15. Dorothy Parker
    I wrote serious things too. Stories about women with no money and fewer choices. But people wanted Dorothy Parker the wisecracker, not Dorothy Parker the socialist who went to Spain during the war.
  16. Oscar Wilde
    You went to Spain?
  17. Dorothy Parker
    Nineteen thirty-seven. Helped with anti-fascist propaganda. Not a lot of laughs. Turns out war isn't great material for Vanity Fair.
  18. Oscar Wilde
    How terribly inconvenient for your reputation. Did they forgive you for caring?
  19. Dorothy Parker
    They ignored it. Much easier. They wanted me at the Algonquin, not at a typewriter writing about dead children in Madrid. So I became what they wanted. A performing seal with a hangover.
  20. Oscar Wilde
    I became a performing peacock. The difference is I rather enjoyed it. Until I didn't.
  21. Dorothy Parker
    When did you stop enjoying it?
  22. Oscar Wilde
    The moment I realized that my cleverness had become a trap. People came to me expecting fireworks, and I could not disappoint them even when I wished to speak plainly. Sincerity became impossible. It looked like another pose.
  23. Dorothy Parker
    God, yes. I tried to write a sincere poem once. Someone said it sounded like I was being sarcastic. I wasn't.
  24. Oscar Wilde
    The public gives you a role and then insists you never leave the stage. I wanted to be many things. A poet, yes. A playwright. A critic of society. But they wanted me to be a curiosity.
  25. Dorothy Parker
    A wind-up toy in a drawing room.
  26. Oscar Wilde
    Precisely. And when the mechanism broke, when I was tried and imprisoned, they were offended. Not because of what I had done, but because I had stopped being amusing.
  27. Dorothy Parker
    That's the unforgivable part. Letting the mask slip. I drank myself sideways for years and they thought it was charming. The second I got sober and political, I was a scold.
  28. Oscar Wilde
    Did you regret the reputation? The creation you made of yourself?
  29. Dorothy Parker
    Some days. It got me in rooms I wouldn't have entered otherwise. It got me published. But it also meant nobody took me seriously when I wanted them to. What about you?
  30. Oscar Wilde
    I regret nothing about the art. The essays, the plays, the novel. I stand by all of it. But I regret that people thought the art was easy because I made it look easy. They thought I was frivolous because I refused to be dull.
  31. Dorothy Parker
    There's that thing where if you're funny, people assume you're shallow. Like suffering and wit can't live in the same person.
  32. Oscar Wilde
    Exactly. I was accused of superficiality by people who had no depth to offer in exchange. My work was about beauty, yes, but also about the soul's relationship to beauty. That is not a small subject.
  33. Dorothy Parker
    My work was about being a woman with a brain in a world that didn't want you to have one. I made jokes so they wouldn't throw me out of the room. But the jokes were the point. They weren't decoration.
  34. Oscar Wilde
    The jokes were the weapon.
  35. Dorothy Parker
    And the shield.
  36. Oscar Wilde
    We armed ourselves with language because we had nothing else. I had no money, no title, only words. And words, it turns out, are enough to build a reputation and destroy a life.
  37. Dorothy Parker
    You're talking about the trial.
  38. Oscar Wilde
    I am talking about the fact that everything I said was used against me. My own wit became evidence of my corruption. They read my words aloud in court as though beauty itself were criminal.
  39. Dorothy Parker
    That's the thing about a public reputation. You don't own it. They do. And they'll use it however they want.
  40. Oscar Wilde
    I thought I was in control. I thought if I were brilliant enough, charming enough, I would be untouchable. I was wrong.
  41. Dorothy Parker
    Nobody's untouchable. I thought if I were funny enough, they'd let me say anything. Turns out there are limits. Especially if you're a woman, especially if you're political.
  42. Oscar Wilde
    Were you blacklisted?
  43. Dorothy Parker
    Informally. Hollywood decided I was a red. My name became difficult. Suddenly nobody was returning calls.
  44. Oscar Wilde
    How did you bear it?
  45. Dorothy Parker
    I drank. I got a dog. I kept writing, though nobody much wanted it. How did you bear prison?
  46. Oscar Wilde
    I wrote. What else could I do? I wrote a letter fifty thousand words long to the man I loved and who destroyed me. I tried to make sense of what had happened. I failed, of course. Some things make no sense.
  47. Dorothy Parker
    Did it help? The writing?
  48. Oscar Wilde
    It gave me something to do besides despair. That is not nothing. But it did not restore my reputation. That died in prison. I died in prison, in a sense. The man who emerged was not the man who went in.
  49. Dorothy Parker
    You were only out a few years after.
  50. Oscar Wilde
    Three years. Exile, poverty, illness. I was unrecognizable. Not because of age, but because the public could not see me anymore. I had become invisible. The ultimate humiliation for a man who lived to be seen.
  51. Dorothy Parker
    I lived too long. That was my version. Outlasted my own legend. By the end I was that woman who used to be Dorothy Parker.
  52. Oscar Wilde
    Used to be. What a terrible phrase.
  53. Dorothy Parker
    The worst. But maybe that's the price. You build a reputation and it becomes a monument. And then you have to live in its shadow.
  54. Oscar Wilde
    Or die in it. I think I preferred dying. At least it was conclusive.
  55. Dorothy Parker
    Typical. You'd rather have a tragic ending than a long, messy fade.
  56. Oscar Wilde
    My dear Miss Parker, I would rather have written the ending myself. But we do not get to choose these things. We only get to choose the words.
  57. Dorothy Parker
    And we chose well, I think. Even if nobody knew what we were really saying.
  58. Oscar Wilde
    They will. Eventually. When we are safely dead and no longer inconvenient.
  59. Dorothy Parker
    We're already dead.
  60. Oscar Wilde
    Then perhaps they are finally ready to listen.